http://www.youtube.com/watch?v=x3PhrkkkzXg
This is an indian movie song, i love this one so just think to share here, hear my indian songs :D
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Showing posts with label tamil. Show all posts
Showing posts with label tamil. Show all posts
Tuesday, February 12, 2013
Sunday, December 2, 2012
Brihadeeswarar Temple, Thanjavur, Tamil Nadu, India
Brihadeeswarar Temple at Thanjavur in the Indian state of Tamil Nadu, is a Hindu temple dedicated to Shiva and a brilliant example of the major heights achieved by Cholas in Tamil architecture. It is a tribute and a reflection of the power of its patron Raja Raja Chola I. It remains India's largest temple and is one of the greatest glories of Indian architecture. The temple is part of the UNESCO World Heritage Site "Great Living Chola Temples".
This temple is one of India's most prized architectural sites. The temple stands amidst fortified walls that were probably added in the 16th century. The vimana or (temple tower) is 216 ft (66 m) high and is among the tallest of its kind in the world. The Kumbam (Kalasha or Chikharam) (apex or the bulbous structure on the top) of the temple is not carved out of a single stone as widely believed.
There is a big statue of Nandi (sacred bull), carved out of a single rock, at the entrance measuring about 16 feet long and 13 feet high.
The entire temple structure is made out of granite, the nearest sources of which are close to Tiruchchirapalli, about 60 km to the west of Thanjavur, where the temple is.
Built in 1010 AD by Raja Raja Chola I in Thanjavur, Brihadeeswarar Temple, also popularly known as the ‘Big Temple', turned 1000 years old in 2010.
History :
The temple had its foundations laid out by the Tamil emperor Arulmozhivarman, popularly called Rajaraja Chola I, in 1002 CE, as the first of the great Tamil Chola building projects. It was built to grace the throne of the Chola empire in compliance of a command given to him in his dream. The scale and grandeur is in the Chola tradition. An axial and symmetrical geometry rules the temple layout. Temples from this period and the following two centuries are an expression of the Tamils (Chola) wealth, power and artistic expertise. The emergence of such features as the multifaceted columns with projecting square capitals signal the arrival of the new Chola style. The Brihadeeswarar Temple was built to be the royal temple to display the emperor's vision of his power and his relationship to the universal order. The temple was the site of the major royal ceremonies such as anointing the emperor and linking him with its deity, Shiva, and the daily rituals of the deities were mirrored by those of the king. It is an architectural exemplar showcasing the pure form of the Dravida type of temple architecture and representative of the Chola Empire ideology and the Tamil civilisation in Southern India. The temple "testify to the brilliant achievements of the Chola in architecture, sculpture, painting and bronze casting."
Construction :
The wish to build a mammoth temple like this is said to have occurred to Raja Raja while he stayed at Sri Lanka as an emperor.
This temple is the first building fully built by granite and finished within 5yrs[1004AD - 1009AD]. The solid base of the temple raises about 5 metres (16 feet), above which stone deities and representatives of Shiva dance. The innthe huge kalasam or Vimanam (top portion of the shrine) is believed to weigh 81.28 tonnes and was raised to its present height by dragging on an inclined plane of 6.44 km. The big Nandi (bull), weighing about 20 tonnes is made of a single stone and is about 2 m in height, 6 m in length and 2.5 m in width - the temple is a Vijayanagara addition. The presiding deity of lingam is 3.7m tall. Even today, the Brihadiswarar Temple remains India's largest temple[dubious – discuss. The prakaram (outer precincts of the temple) measures 240m by 125m. The outer wall of the upper storey is carved with 81 dance karanas - postures of Bharathanatyam, the classical dance of Tamils. The shrine of Goddess is added by Pandyas during the 13th century, Subramanya Shrine by Vijayanagara rules and the Vinayaka shrine was renovated by Maratha rulers.
Travel information
Thanjavur can be reached easily by road, rail and air. Tamil Nadu state government runs frequent public buses from nearby Trichy, Chennai, Kumbakonam, Pudukkottai, Pattukkottai, Tirunelveli, Karur, Nagapattinam, Coimbatore,Erode and many other cities in the state. From the state capital Chennai, a National Highway (NH 45-A) linking Chennai with Chidambaram, Mayavaram, Kumbakonam, Thanjavur,Thiruvarur and Nagappatinam provides convenient access to tourists who come to visit Thanjavur and the adjoining towns. There are also several buses operated by private bus operators.
Rail services are run by Indian Railways from many cities across India including Chennai, Trichy, Coimbatore, Erode, Tirunelveli, Madurai and Nagore. The train station is Thanjavur Junction.
Tiruchirapalli Airport is the nearest airport, located 65 km away.
360 degree view of temple
Labels:
Architecture,
culture,
Design,
Heritage Sites,
Hindu Temples,
tamil,
Tradition
Friday, October 19, 2012
Tuesday, September 25, 2012
தமிழ் !!
என் தாய் மொழி தமிழ் என சொல்லி கொள்வதில் பெருமை கொள்கிறேன்...
Labels:
Dravidian languages,
Image,
Indian Languages,
tamil
M R Radha
Madras Rajagopala Radhakrishnan Naidu popularly known by his stage name, M. R. Radha was an Indian film actor and politician. He was given the title of "Nadigavel" for his acting prowess. After a successful career on stage in his early years, he acted in films from the 1930s to the 1970s, and then, giving up films, he went back to his first love - Stage.
Radha left his home at an early age due to a quarrel with his mother that she refused to give an extra piece of fish to eat.Radha was a popular theater artist who made more than 5000 stage shows. Starting at the age of 10, he appeared in small roles, grew to a level that stories for dramas were custom made for him. Radha gained popularity with the success of his stage play Ratha Kanneer. When he acted in the film version of the play, he quickly gained his star status. Rattha Kanneer gave Radha an international recognition and an award. Recently, Rattha Kanneer has been remade by Upendra from Karnataka. Rattha Kaneer is his most famous work that was acclaimed by veteran actors Dev Anand, Amitabh Bachan and others who termed it as one of the brilliant performances in Indian film history, and no other actor could ever duplicate that role.
With his versatile acting, Radha played both villain and comedian roles. After 1950s, film-makers created roles specially for him, and he often overshadowed even main actors. He was an active member of the Dravidian movement, and was known for his atheistic views. Towards the end of his career, however, he started acting in Hindu devotional movies likeVelum Mayilum Thunai. He often used to ridicule atheism in these movies.
Radha left his home at an early age due to a quarrel with his mother that she refused to give an extra piece of fish to eat.Radha was a popular theater artist who made more than 5000 stage shows. Starting at the age of 10, he appeared in small roles, grew to a level that stories for dramas were custom made for him. Radha gained popularity with the success of his stage play Ratha Kanneer. When he acted in the film version of the play, he quickly gained his star status. Rattha Kanneer gave Radha an international recognition and an award. Recently, Rattha Kanneer has been remade by Upendra from Karnataka. Rattha Kaneer is his most famous work that was acclaimed by veteran actors Dev Anand, Amitabh Bachan and others who termed it as one of the brilliant performances in Indian film history, and no other actor could ever duplicate that role.
With his versatile acting, Radha played both villain and comedian roles. After 1950s, film-makers created roles specially for him, and he often overshadowed even main actors. He was an active member of the Dravidian movement, and was known for his atheistic views. Towards the end of his career, however, he started acting in Hindu devotional movies likeVelum Mayilum Thunai. He often used to ridicule atheism in these movies.
M. K. Thyagaraja Bhagavathar
A notable person from tamil cinema. such a marvelous actor and he concentrated on other departments also like production and music, he is notable singer in India. Nowadays in cinema artists are just reacting for the song but Thyagaraja Bhagavathar sunged with own voice and acted. He is considered to be one of the most successful Tamil film actors ever. Bhagavathar was born in the town of Mayiladuthurai in then Tanjore district of the Madras Presidency, British India. He started his career as a classical singer and stage artist in the late 1920s. In 1934, he made his début in films with the movie Pavalakkodi which turned out to be a hit. From 1934 to 1959, Bhagavathar acted in 14 films of whom 6 were box-office hits. Bhagavathar's 1944 film Haridas ran for three consecutive years at Broadway Theatre, Madras and created the record for the longest continuous run at a single theatre. Bhagavathar was arrested in 1944 as one of the main suspects in the Lakshmikanthan Murder Case and spent three years in prison before being released in 1947 after a re-trial found him innocent. Bhagavathar's career declined after his arrest and though he did continue to act in Tamil films after his release from prison, none of them did well. Bhagavathar died of diabetes at the age of 59 on 1 November 1959. Bhagavathar was acclaimed for his powerful, melodious voice and the ease with which he could sing high pitch notes. Critics and film historians acknowledge Bhagavathar as the "first superstar of Tamil cinema". Bhagavathar was a philanthropist and contributed for important social and religious causes. He was awarded a "Diwan Bahadur" title by the Governor of Madras for his contribution to the British war efforts during the Second World War but he turned it down.
Bhagavathar was born "Thyagaraja" in Mayiladuthurai (then known as Mayavaram), Tanjore District on March 7, 1901. He was the eldest son of Krishnamurthy achary a goldsmith. A few years after his birth, the family moved to Tiruchirappalli (then known as Trichinopoly), where Thyagaraja was admitted in a local school.
Right from his boyhood, Thyagaraja neglected his studies. Instead, he desired to become a singer. According to a popular anecdote, Thyagaraja once ran away from home after being reprimanded by his father for his decision to become a singer as singing was not considered to be an honourable profession in the conservative Indian society of the early 20th century. Krishnamurthy Achari, eventually, found his son in the Telugu-speaking town of Cuddapah as he was singing to a large group of admiring listeners. Krishnamurthy achary relented and encouraged his son to hone his skills. Soon, Thyagaraja began to sing Hindu religious songs or bhajans.
F.G. Natesa Iyer, a railway officer with South Indian Railways, Trichy and the founder of an amateur theater group, Rasika Ranjana Sabha, is credited with introducing Thyagaraja to the stage. One story is that he heard Thyagaja singing at a bhajan. Impressed with his talent, F.G. Natesa Iyer offered him the role of Lohitadasa in his play Harischandra; with the permission of Thyagaraja's father. Thyagaraja, who was ten at the time, agreed, and the play was a success. He also started getting trained under the guidance of theater veterans at that time in Trichy. However, Thyagaraja concentrated more on singing than acting and took a six-year training in Carnatic music from Madurai Ponnu Iyengar, an acclaimed violinist.
Bhagavathar was born "Thyagaraja" in Mayiladuthurai (then known as Mayavaram), Tanjore District on March 7, 1901. He was the eldest son of Krishnamurthy achary a goldsmith. A few years after his birth, the family moved to Tiruchirappalli (then known as Trichinopoly), where Thyagaraja was admitted in a local school.
Right from his boyhood, Thyagaraja neglected his studies. Instead, he desired to become a singer. According to a popular anecdote, Thyagaraja once ran away from home after being reprimanded by his father for his decision to become a singer as singing was not considered to be an honourable profession in the conservative Indian society of the early 20th century. Krishnamurthy Achari, eventually, found his son in the Telugu-speaking town of Cuddapah as he was singing to a large group of admiring listeners. Krishnamurthy achary relented and encouraged his son to hone his skills. Soon, Thyagaraja began to sing Hindu religious songs or bhajans.
F.G. Natesa Iyer, a railway officer with South Indian Railways, Trichy and the founder of an amateur theater group, Rasika Ranjana Sabha, is credited with introducing Thyagaraja to the stage. One story is that he heard Thyagaja singing at a bhajan. Impressed with his talent, F.G. Natesa Iyer offered him the role of Lohitadasa in his play Harischandra; with the permission of Thyagaraja's father. Thyagaraja, who was ten at the time, agreed, and the play was a success. He also started getting trained under the guidance of theater veterans at that time in Trichy. However, Thyagaraja concentrated more on singing than acting and took a six-year training in Carnatic music from Madurai Ponnu Iyengar, an acclaimed violinist.
Labels:
bhagavathar,
carnatic singer,
superstar,
tamil,
tamil cinema
History of Tamil Cinema...
Tamil cinema is the Indian film industry based in Chennai, Tamil Nadu, India, dedicated to the production of feature films in the Tamil language. It is based in Chennai's Kodambakkam area, where several South Indian film production companies are headquartered. With reference to this, the industry is also colloquially referred to asKollywood, a portmanteau of Kodambakkam and Hollywood. Tamil cinema is India's third largest film industry in terms of films produced, as per the Central Board of Film Certification report of 2011, with high revenues and worldwide distribution, having audiences mainly including people from the four southern Indian states of Tamil Nadu,Kerala, Andhra Pradesh, and Karnataka, placing the industry among the largest in the world. Silent films were produced in Chennai since 1917 and the era of talkies dawned in 1931 with the film Kalidas. 
By the end of the 1930s, the legislature of the State of Madraspassed the Entertainment Tax Act of 1939. Tamil cinema later had a profound effect on other filmmaking industries of India, establishing Chennai as a secondary hub for Telugu cinema, Malayalam cinema, Kannada cinema, and Hindi cinema. In its modern era, Tamil films from Chennai have been distributed to various overseas theatres in Singapore, Sri Lanka, South Africa, Malaysia, Japan, Oceania, the Middle East, Western Europe, andNorth America. The industry also inspired filmmaking in Tamil diaspora populations in other regions, such as in Europe and Canada.
By the end of the 1930s, the legislature of the State of Madraspassed the Entertainment Tax Act of 1939. Tamil cinema later had a profound effect on other filmmaking industries of India, establishing Chennai as a secondary hub for Telugu cinema, Malayalam cinema, Kannada cinema, and Hindi cinema. In its modern era, Tamil films from Chennai have been distributed to various overseas theatres in Singapore, Sri Lanka, South Africa, Malaysia, Japan, Oceania, the Middle East, Western Europe, andNorth America. The industry also inspired filmmaking in Tamil diaspora populations in other regions, such as in Europe and Canada.
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